Page 61 - Mediterraneo e dintorni - Maggio 2020
P. 61

Bambino Masai - Kenya

            Anziano - Palermo                                 of the world: from India to China, from Cappadocia to Kenya,
                                                              from Hong Kong to Santo Domingo, in a period which runs
                                                              from 2015 to 2019. Ferraina comes from a family of artists, and
                                                              Nannipieri reminds us of this in the preface to “Human islands”
                                                              when he explains: “Ferraina having absorbed like a sponge,
                                                              from an early age, the expertise, the times, the technicalities,
                                                              the practices, the uses that his father, and before him his
                                                              grandfather, put in place every day (...) he knows well that one
                                                              of the “shamanic” powers of photography is also and above
                                                              all that of creating the real, not simply, flatly, documenting it
                                                              ». And today, his work, in this sense, takes on a new value full
                                                              of paradigmatic meaning: what is isolation for individuals?
                                                              What is isolation for society? The answer is that captured by
                                                              his shots, sometimes as a cage, or refuge, or marginalization,
                                                              cliché, constraint, choice, or ... who knows how else we could
                                                              define this condition at the present time of social isolation from
                                                              Covid-19. In the small part of his archive kept in the precious
                                                              chest that is “Human islands”, Paolo captures - says Nannipieri -
                                                              “the exact moment - and here is his talent - in which man seems
                                                              hopelessly dispersed and separated from the others, he has not
                                                              fear of showing photographic art for what it is intimately: a
                                                              ruthless machine for reflection on the human».

                                                                                           Giornalaia - Hong Kong
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